Shot number
|
Shot type
|
Duration
(seconds)
|
Description of action
|
Sound/dialogue
|
1
|
Longshot
|
3
|
Establishing
shot of victims street
|
N/A
|
2
|
Medium
crab shot
|
10
|
Begins by showing the victim sitting having a conversation in the living room via a shot through the window. The camera then crab over the door before it opens to reveal the victim hugging someone and getting ready to leave. | “Goodbye” etc. |
3
|
High angle shot |
2
|
Show the victim leaving the house. | |
4
|
Over the shoulder shot |
5
|
Victim is called back to get their bag (because they forgot it) then walks away out of the frame. | “Bye… Oh Taylor! Your bag.” |
5
|
Wide shot |
3
|
Victim’s feet are shown walking under the car. | N/a |
6
|
Extreme close up |
2
|
Victim puts headphones in their ears. | N/a |
7
|
Extreme close up |
2
|
Victim presses play on her phone. Music begins. | Music begins to play |
8
|
Long shot |
2-3
|
Victim walks down the road | Music continues |
9
|
Medium long shot |
2
|
Victim emerges from around the corner | Music continues |
10
|
Long shot |
3-4
|
Victim bumps into attacker. | Music continues to play |
11
|
Over the shoulder shot
|
5
|
The attacker turns round to look at the victim, the camera follows their movements over their shoulder and the focus is on the victim in the background | Music continues to play |
12
|
Long shot |
2-3
|
The victim is coming round another wide corner and along the road. Attacker is seen following behind her | Music continues |
13
|
Medium close up |
10
|
Victim gets a call and answers it. Attacker is seen behind her | Music cuts out when she removes her headphones. “Hello? Yeah… yeah, I’m on my way… See you soon” |
14
|
Point of view |
8
|
POV of the victim checking if it’s clear for them to cross the road and the attacker catches her eye |
n/a
|
15
|
Long shot |
2
|
Victim enters the gate to lead to footpath through the woods |
n/a
|
16
|
Medium long shot |
2
|
Victim is shown walking through the gate. Vies is from inside the woods and she walks past the camera out of the frame |
n/a
|
17
|
Long shot |
2
|
Same shot as the one use of the victim entering the woods from outside, however it only shows the attacker entering |
n/a
|
18
|
Medium long shot |
2
|
Same shot as the victim entering the woods, view from inside the woods. However it shows the attacker entering |
n/a
|
19
|
Medium shot |
2
|
Shows the victim in the foreground walking through the woods towards the camera. The attacker is seen following her |
n/a
|
20
|
Over the shoulder shot |
2-3
|
Victims hears the attacker behind them and turn around, then runs | Twig snaps |
21
|
Point of view |
3-4
|
POV from the attacker chasing after the victim | Intense music and heavy breathing |
22
|
Longshot |
2-3
|
Camera is focused on the leaves in the foreground but the chase is blurry and visible in the background | Intense music continues |
23
|
Point of view |
3-4
|
POV from the victim running, turns around and the attacker is very close. Victims trips up on a log and falls. She’s knocked out | Music cuts out when she screams |
24
|
Medium long shot |
3-5
|
Shows the attacker taking the victims belongings and leaving her there | |
25
|
Medium close up to Pull out |
3-5
|
Shows a bird’s eye view of the victim laying there before it pulls out | Sad music or birds tweeting |
26
|
Tilt |
2-3
|
The camera tilts straight after the pull out to show the sky and the sun. Title of the film appears |
N/A
|
Sunday, 5 March 2017
Planning-Shot List
Labels:
Planning
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment